The Wanderer, December 2020
Learn how to capture your holiday highlights with a weekend photography trip.
What is one of the best things about visiting beautiful places? It’s taking photos to share with friends.
We not only want to experience these fabulous destinations … we want to capture what we see so that we can reminisce later.
What if I told you there is a way to visit a spectacular part of South Australia and hone your photographic skills at the same time.
Cue “photography weekends” like the one I am joining in SA’s Flinders Ranges.
Photographer Steve Huddy and Wilpena Pound have combined their considerable assets and talents to let you focus on what’s important – enjoying your surroundings and capturing the moments.
Firstly, you’re in a part of Australia where it’s hard to take a bad photo.
Secondly, you’re with a photographer who, after spending years working for Canon, is branching out on his own to share his knowledge and passion with all sorts of camera buffs from experienced snappers to the “accidental” photographers like me.
We’re in for three days and two nights of focusing on the wilderness and wildlife and learning how to use all those camera gizmos like aperture and shutter priority and ISO to get the best pictures possible.
What could go wrong? About the only thing that can’t be planned is the weather.
Cue the biggest storm the Flinders Ranges have seen in decades.
It’s September … the days are warm, nights cold but the crisp air and clear skies make for some wonderful scenes.
Except when Mother Nature decides to bless the Outback with its heaviest rainfall in decades.
The Flinders Ranges have suffered drought conditions for years so you can imagine the smiles on everyone’s faces at the prospect of a decent downpour.
Except for our intrepid photography host. For Steve, it’s a bit of a nightmare.
On our first night, the plan is to take sunset shots overlooking the Chace Range. The view from Pugilist Hill is hard to beat. You’re surrounded by ranges and no matter which mountainscape the sun’s rays highlight, you are bound to get a good photo.
Except when the dark clouds set in, it starts to rain and you have to run for cover. The sun set without a ray of hope poking through.
Plan B, though is a delicious alternative … dinner at the Wilpena Pound Resort.
STARSTRUCK
How about some astrophotography at the Cazneaux Tree?
I didn’t even know astrophotography was a “thing” – especially not on my old Pentax K3.
But if you get the right training and guidance and assistance, it is possible to capture the Milky Way as it lights up the sky.
That is, unless those dark clouds continue to to block any evidence of a star or planet ever existing.
“This calls for Plan C,” says Steve as he sets up an impromptu workshop in the Wilpena Pound Resort dining room.
He takes advantage of the spare time to talk all things photographic from making the most of the equipment you have to taking advantage of the latest technology to make your photographic endeavours easier – and much more fun.
His No. 1 tip for a great photo shoot is ‘planning’.
And the best way to plan is to use all the information available to you.
For example, if it’s the Milky Way you want to capture, there are phone apps like, TPE (The Photographer’s Ephemeris), Photopills and which can pinpoint the best time to shoot your pics from particular destinations.
You can see when a full moon might disrupt your photo shoot with too much light or when a new moon might offer the best opportunity, with the least light, to grab that perfect pic.
The direction of sunrises and sunsets can be predicted so you know where it will be in the sky and where the best light will be shed on to the scenery behind.
What it can’t tell you – until it’s too late – is whether the clouds will rain on your photo parade.
WHEN ALL THE RIVERS RUN
Day 2 of our focus on photography was meant to start with sunrise aerial shots over Wilpena Pound.
But at 4am when the real storm hit, flooding the Flinders Ranges with more than 50mm of rain, I guessed that might be off.
The views of rivers actually flowing instead of dry creek beds would have been spectacular from the air but there was no way planes were taking off from that muddy runway. And the conditions were described as “uncomfortable up there”.
So we go to “Plan D” and swap sunrise for a chance to check out the flood damage. It may not have been what was planned, but the opportunity to take photos of this rare sight feels like quite a privilege.
At 10am we file back into the resort dining room for a Lightroom Classic basics workshop – despite our flooded Ikara Safari Tent, muddy sludge having to be scooped out of the resort kitchen and a partially collapsed ceiling in the reception area. (It really was a huge storm.)
Lightroom is a downloading, sorting, archiving and editing system for your photos.
To put it in basic terms, you download the Lightroom app (there is a free trial version or a $15/month permanent version), use it to download pics from your camera (via SD card in my case) and then you can sort them into ‘collections’ … for example, Flinders Ranges.
From here, there are all sorts of editing options which you can use to enhance your photos until you get the best possible outcome.
The key seems to be if a photo is ‘slightly darker’ (underexposed) it can be ‘saved’. If it’s over-exposed, there’s not much you can do with it.
GETTING SOME GREAT SHOTS
The devastated look on Steve’s face after a quick lunch is a clear indication that “Plan E” is about to unfold.
“Our afternoon drive through Brachina and Bunyeroo gorges is off,” he says.
“But, we do have another plan and let’s face it, there are so many beautiful places to photograph, we won’t be short of good photos.
“And the bonus is that I’ll be able to show you how to take some great pics in ‘trying’ conditions.”
So, off we go in a convoy to Moralana Scenic Drive which, for now, is still open.
I’m lucky to be in Steve’s car so I use the time to pick his brain about my camera … more precisely … about my dislike of my camera.
It’s heavy and I’ve never really understood it.
To be very honest, words are my focus, so I need a camera that I can point and shoot to give me great photos with the least input on my part.
The Auto button is my best friend.
There is actually nothing wrong with my camera – it’s a user problem.
“It doesn’t really matter which brand of camera you have,” Steve says, sporting impressive Canon gear. The fact that he worked for Canon for close to two decades might account for his impressive photographic knowledge.
“What is important is that you get the most out of what ever equipment you have.”
And that’s where his expertise comes in very handy.
With a flick of a few buttons, and an enormous amount of patience, he has set me up to get the best possible landscape pics from my Pentax.
TAKING CONTROL
It’s a nervous moment as I flick from Auto to Manual.
Don’t laugh. I’ve always figured that if you buy an expensive camera and it has an automatic choice, why wouldn’t you let it do all the hard work.
However, while there is nothing ‘wrong’ with the auto option, it always pays to understand why it makes the selections that it does.
And it’s quite liberating to know how to be in charge.
ISO is first. Put it on 100 for most shots.
But what is ISO? It’s a setting that will brighten or darken a photo. As you increase your ISO number, your photos will grow progressively brighter because you are making your cameras sensor more sensitive to light.
. But, a photo taken at too high of an ISO will show a lot of grain, also known as noise, and might not be usable.
Aperture is next. Pick F11 for landscapes. Why? Just because in Steve’s ‘experience’ that’s the best choice. It gives a greater depth of field or depth of focus, so more of the foreground and background will be sharper.
Now, does the camera do the rest? Not in Manual mode.
We have to select the correct shutter speed. But before I could get “good grief” out of my frustrated mouth, Steve is pointing out a built-in meter which, when I adjust the shutter speed dial (I didn’t even know it was there) it hits the middle mark and voila, I have the perfect combination.
PUTTING IT TO THE TEST
Now back to Moralana Scenic Drive.
“Bugga,” says Steve as we pull up to a raging torrent which has replaced yesterday’s dry creek bed.
But we are out of that car quick smart, cameras and tripods in hand to capture what we think is the best view we have seen in days.
Muddy water pours over the concrete causeway that usually stands high and dry over Arkaba Creek.
We can’t cross, but we don’t care. You don’t often get to see water in these parts, let alone a running river.
SHUTTER PRIORITY
Just when I thought I had landscape photography under control, Steve steps up the learning curve with a lesson in shutter priority and how to add blur and so there is a sense of motion and movement.
You know those gorgeous photos of running streams where waterfalls and ripples appear like smooth, creamy folds?
It’s not that hard to do – if you have a tripod, use shutter priority on your camera and open up the aperture a few stops to let in more light.
And, if you have more experience than I do.
I “borrowed” one of Steve’s photos to show you the full effect.
WINDMILLS
I have always had a fascination with windmills. You don’t see many of them any more – except in the Flinders Ranges. But it seems I’m not the only one who likes them.
We stop a few times on our afternoon travels to focus on their rotating blades with the ranges in the background and those pesky clouds creating dramatic backdrops.
HOOKINA CREEK
The road to Lyndhurst is blocked and there’s a line-up of locals waiting for the water to drop so they can cross over and get home. They are still there a few hours later.
As a journalist and travel writer, a photo of this rare flood and line-up is a great pic – regardless of whether the light is perfect or we can blur the movement of the water or not.
While we wait and watch and take more photos, we notice a dirt road running up the side of the creek towards Mt Little Homestead.
The owner lets us venture a little further up the road to try and get some sunset shots.
This is where the planning comes in again.
Steve has checked his apps and knows that with the sun setting behind us, the mountain range in front should light up … if the clouds clear.
This has been his “Plan F” … and it’s a winner.
There’s a rule that goes with sunset photography … as you watch the sun lower in the sky to eventually dip over the horizon – don’t forget to turn around and see what the light is like behind you.
We find ourselves doing 360s with the bright red and orange rays reflecting on the creek one way, then turning clouds a soft apricot and lighting up ochre-coloured cliffs directly behind. Meanwhile the whole sky turns a bright pink with the wind whisking fluffy balls into strawberry-flavoured fairy floss.
ASTROPHOTOGRAPHY
Our final attempt at astrophotography is at the Cazneaux tree – but the bridge leading to the perfect angle has been wiped out and so all that planning of where the Milky Way will be, is wasted … we can’t get over there.
However, we set up as best we can (Plan G) and get our lesson in capturing the stars.
The instructions: ISO 3200, 30-second exposure, manual focus.
And Steve shines a torch on the base of the tree for about four seconds. It’s just enough light to register on the long exposure but not long enough to turn the pic into a white blob.
Do I get the milky way. No. But I do get enough to pique my interest and maybe come back one day to try it again. I do manage a starry sky backdrop to this famous tree that pays homage to “endurance”.
LAST DAY
We’re up to Plan H. Morning flights are cancelled again but we head out to Wood Duck Dam for some wildlife photography.
Debris on the roads has us stopping for more “action” shots. The damage is unbelievable – massive logs have been lifted and dumped across roads by the heavy rains.
Tripods are needed at the dam for those trying to capture hovering dragon flies.
I’m happy to zoom in on a few ducks and my favourite subjects – the people around me.
My job is done. My story is to tell you about these fabulous weekends where you can learn more about how to take great photos.
It doesn’t matter whether you’re a professional or an accidental photographer like me.
We have all learnt something this weekend.
And what better way to show that than by snapping the happy photographers.
GETTING THERE
What: The photography weekends are run by Wilpena Pound Resort with the collaboration of professional photographers like Steve Huddy.
Where: Wilpena Pound Resort, Flinders Ranges, South Australia – usually in winter months as the conditions are better. We covered the 450km drive in a Maui Ultima motorhome from THL. (www.maui-rentals.com)
Cost: $395p/p plus accommodation (a range is available including ‘glamping’ safari tents, powered and unpowered sites and lodge rooms).
Contact: https://www.wilpenapound.com.au/events/photography-weekends/ or Steve Huddy at shu25185@bigpond.com
Footloose Jasinski 